Klimt's most successful works include "The Kiss" (1908 Österreichische Gallery) and a series of portraits he did of fashionable Viennese matrons, such as "Frau Fritza Riedler" (1906 Österreichische Gallery) and "Frau Adele Bloch-Bauer" (1907 Österreichische Gallery). His later murals, the "Beethoven Frieze" (1902 Österreichische Gallery, Vienna) and the murals (1909-11) in the dining room of the Stoclet House, Brussels, are characterized by precisely linear drawing and the bold and arbitrary use of flat, decorative patterns of colour and gold leaf. Soon thereafter he painted three allegorical murals for the ceiling of the University of Vienna auditorium that were violently criticized the erotic symbolism and pessimism of these works created such a scandal that the murals were rejected. In 1897 Klimt's mature style emerged, and he founded the Vienna Sezession, a group of painters who revolted against academic art in favour of a highly decorative style similar to Art Nouveau. His early work was typical of late 19th-century academic painting, as can be seen in his murals for the Vienna Burgtheater (1888) and on the staircase of the Kunsthistorisches Museum. After studying at the Vienna School of Decorative Arts, Klimt in 1883 opened an independent studio specializing in the execution of mural paintings. The artist's formal training began at Kunstgewerbeschule in Vienna. Gustav Klimt (1862-1918) shocked early 20th century audiences with his unorthodox, subtly erotic paintings.īorn in Baumgarten, a suburb of Vienna, Klimt's interest in art was nurtured by his father, an engraver in gold and silver. Austrian painter and founder of the school of painting known as the Vienna Sezession.
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